Edwards the Exegete represents a crowning achievement of a dozen years of studying Jonathan Edwards. Doug Sweeney, who was my doctoral advisor at Trinity Evangelical Divinity School and who runs a helpful blog on Edwards, has done Edwards scholars and followers a tremendous service in this volume, pulling back the curtain on a foundational aspect of Edwards’ life and thought that has generally been ignored. As Sweeney puts it succinctly, “We fail to comprehend Edwards’ life, thought, and ministry when viewing them apart from his biblical exegesis” (ix).
This monograph offers readers the first synthesis of Edwards’ exegesis across his entire corpus. Other volumes have explored aspects of Edwards’ corpus—particularly Stephen Stein’s fine introductions to Edwards’ biblical manuscripts printed in Yale University Press’s Works of Jonathan Edwards—or examined Edwards’ approach to particular parts of the canon. But Sweeney offers a truly groundbreaking study in analyzing the whole, based on a remarkable mastery of the primary and secondary literature on Edwards and his world, visible in the length and detail of the book’s notes.
As indicated by the volume title, Edwards the Exegete: Biblical Interpretation and Anglo-Protestant Culture on the Edge of the Enlightenment (Oxford University Press, 2015; source: publisher), Sweeney aims to present Edwards in his broader exegetical and cultural context without outright commending or denigrating Edwards as a biblical exegete. He admits, “I am not an Edwardsean,” and he instead seeks to approach the topic “as a historian, . . . transport[ing] thoughtful readers into Edwards’ biblical world, helping them understand and sympathize with Edwards’ exegesis, from the inside out, before resuming critical distance and evaluating his work from a late-modern perspective” (ix). He accomplishes this goal well.
ECH: When and why did you begin writing?
Terry Glaspey: I’ve been interested in writing almost as long as I remember. In grade school I created little 12-page illustrated stories that I sold to classmates for a quarter. And writing papers was the part of high school and college that I enjoyed most. I got started writing books when someone asked me to turn a talk I had given into an article for their magazine. They liked the results, and I wrote several more for them, which eventually became my first book, Children of a Greater God. That was over twenty years ago.
ECH: How did you become involved in the subject matter of 75 Masterpieces?
Terry Glaspey: I’m someone who found his life enriched by the arts—by literature, music, the visual arts, and film. And I have always been interested in the intersection between faith and creativity; by the way that religious commitment can be reflected in various art forms. I appreciate the way that art has a way of giving fresh perspectives to the message of faith.
John Frame, A History of Western Philosophy and Theology
Full disclosure, I am not a philosopher. Far from it. However, the history of philosophy has always been an interest of mine. Whether it was working my way through Frederick Copleston’s history or the intricacies of the Hamann-Kant dialogues, the history of philosophy has been a topic I regularly return to.
John M. Frame’s A History of Western Philosophy and Theology (P & R Publishing , 2015; source: publisher) is a reminder both of my love for the history of philosophy and my inadequacy as a philosopher. Frame provides a wide sweep of the discipline, yet detailed attention to key philosophers and philosophies.
This is all standard fare for a history of philosophy. What distinguishes this history is the author. Frame, known more for his work in theology, offers a uniquely Christian and theological perspective on the history of philosophy.
Once again, I want to commend Terry Glaspey’s balanced and well-thought-out list of 75 Masterpieces Every Christian Should Know (see my review here). The list covers practically all of history and various mediums of art and literature. It is in the latter centuries where I have some concerns and I want to suggest a couple of masterpieces I would have included instead.
Before I get started, there are some works that Glaspey addresses and that I would like to highlight. Jan Van Eck’s Adoration of the Lamb (1432) (75 Masterpieces, chapter 10) is truly a masterpiece. Installed in the Cathedral of Saint Bavo in Ghent, the twenty paneled altarpiece expands to eighteen feet and has a height of twelve feet.
“Glory to God in the highest,
Lucas Cranach the Elder [Public domain], via Wikimedia Commons
and on earth peace, good will toward men.”
~ Luke 2:14
In a sermon on this text, Jonathan Edwards reflected on how Christ brings peace on earth. As the following excerpts from his sermon (available in this volume) show, Edwards celebrated the incarnation of God in Jesus and the peaceful effects of his coming to earth, which brought peace between man and God, peace within man, and peace between men:
The task of narrowing down centuries’ worth of “masterpieces” in a “best of” list is not one I would like to undertake. Deciding what is a masterpiece is a struggle in and of it itself, let alone having to provide a definitive list. Terry Glaspey’s 75 Masterpieces Every Christian Should Know (Baker, 2015; source: publisher) is a balanced choice of art, literature, music, and film.
Following a chronological ordering, Glaspey begins with the Christian catacombs of Rome (75 Masterpieces, chapter 1). From the second century to the fifth, the underground maze served as a communal burial ground for Christians in times of peace and persecution. Images such as the good shepherd decorated these grounds as a sign of life after death.
Though it may seem like 2017 is far away, the 500th anniversary of Martin Luther’s posting of the 95 Theses is fast approaching. Plans for the celebration are being finalized and publishers are lining up works to be released leading up to the anniversary. Anticipating of all this, Andrew Pettegree’s Brand Luther (Penguin, 2015; source: publisher) starts things off with a biography of Martin Luther.
Though I say biography, Brand Luther does not follow the traditional format of a biography on Luther. As with other biographies such as Bainton’s Here I Stand or Oberman’s Luther: Man Between God and the Devil, Pettegree writes in a chronological order and provides accounts of the key events within Luther’s life. However, Pettegree’s main objective attempts to answer “how, in the very different communication environment of five hundred years ago, a theological spat could become a great public event, embracing churchmen and laypeople over a wide span of the European landmass” (Brand Luther, x).
Picking up where we left off (see the previous post), we continue our discussion of Hamann’s wedding present to Johann Friedrich Hartknoch and Albertine Toussaint. The unconventional gift was a short work interpreting Genesis 1 and 2 through the guise of a sibyl. Hartknoch, being Hamann’s publisher, found the gift worth publishing in 1775. We first took a look at how Hamann understood the relationship between God and Eros. Now we turn to the issues of the image of God and marriage.
The Jonathan Edwards Center at Trinity Evangelical Divinity School just released their first issue of Edwardseana. In their inaugural issue they gave Book of the Year awards for two volumes: Rhys Bezzant’s Jonathan Edwards and the Church (Oxford University Press, 2013), and my book, Jonathan Edwards and the Psalms: A Redemptive-Historical Vision of Scripture (Oxford University Press, 2014).
The issue includes interviews with both me and Dr. Bezzant—who serves as Dean of Missional Leadership and Lecturer in Christian Thought at Ridley College and as Director of the Jonathan Edwards Center Australia—as well as reviews of both books. In addition, it spotlights Ryan Hoselton, the winner of the best graduate student paper on Edwards, which will be published in the Jonathan Edwards Studies journal. Check out Edwardseana as well for other noteworthy publications on Edwards from the last year and for happenings with the Jonathan Edwards Center at TEDS.
I’m honored to receive this award and to share the stage with such a fine scholar like Professor Bezzant. Many thanks to the Edwards Center for this recognition and for all the work they are doing to promote resources on Edwards for the academy and the church.
In the first of a two-part series, I will discuss Johann Georg Hamann’s Essay of a Sibyl on Marriage (1775) and his theology of sexual holiness.
Wedding gifts run the gamut from fine china to kitchen appliances, from cheese domes to French presses. I am not sure what one gets someone in eighteenth–century Prussia, but what Johann Georg Hamann gifted Johann Friedrich Hartknoch is as good as any. In the early hours of August 26, 1774 Hamann was awaken by Hartknoch and his bride, Albertine Toussaint. Overjoyed by their visit and recent good news, Hamann welcomed his guests with a promise of an essay to commemorate their nuptials.
When thinking of The Pilgrim’s Progress, one of the best-selling books of all time, you might not immediately think of this allegory as a work of theology. Some scholars, like Gordon Campbell, even suggest that “The Pilgrim’s Progress is a religious work rather than a theological work.” To make this bifurcation, however, mistakenly suggests that the Christian life is somehow separate and distinct from the Christian mind. In fact, while John Bunyan (1628–1688) focused this renowned work on the journey of the Christian, he weaved his theology—sometimes subtly—throughout the narrative.
One way that theology shines through the story is in the conversation that the characters have with each other. The importance of Christian discourse to the volume even leads Michael Mullett to note that “the book is a dialogue at least as much as it is a travelogue.” To give a taste of how Bunyan incorporates his theology into the story’s conversations, we’ll explore a section from The Pilgrim’s Progress on discerning a true “work of grace.”
It is hard to imagine a single text more influential than the Confessions. Of course there is the Bible or the Declaration of Independence, but, Confessions rivals any text apart from divine revelation or nation forming documents.
Contributing to the allure of the Confessions is the autobiographical nature of the work. Not entirely an autobiography, the first half recounts Augustine’s life. Secondly, there is a diversity of disciplines which are attracted to the Confessions. One only has to look at Rousseau’s Confessions to witness these two factors.
These elements are also present in Augustine’s Confessions: Philosophy in Autobiography (Oxford, 2014; source: publisher). The perspective of these philosophers provides a welcome contribution to the study of Augustine’s Confessions.
Mentioning the name Billy Graham evokes all kinds of responses. Deep respect for a faithful evangelist. Admiration for a life of unparalleled achievements. Anger toward a figure who failed to do what some subgroup wanted him to do. Disappointment over a man who appeared ever drawn to politics and presidents. Increasing ignorance of who he is.
While the sentiments toward Graham vary, of all these opinions, perhaps the most surprising—and least justifiable—is ignorance. But even if many pay less heed to Graham, who as of this writing is still kicking at age ninety-six, his legacy is palpable in evangelicalism and even American culture. So argues Grant Wacker in his masterfully written America’s Pastor: Billy Graham and the Shaping of a Nation (Belknap, 2014; source: publisher).
In my previous post, I mentioned that John Owen devoted a great deal of time and energy to understanding the doctrine of the Holy Spirit. We see that emphasis fleshed out further in the rise of evangelicalism in the eighteenth century. One eminent evangelical who manifested that focus on the Spirit was the renowned preacher George Whitefield (1714–1770).
Whitefield was especially known for preaching the new birth message; that is, he frequently discoursed on the doctrine of regeneration. It’s no surprise, then, that he was also very interested in the person and work of the Holy Spirit, the agent of regeneration. And we see evidence of this fascination in his sermons.