Art is a human activity consisting in this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that other people are infected by these feelings, and also experience them. – Leo Tolstoy
In thinking about my Fall courses, I am working through some issues on the broad subject of art. One of my classes will be the seemingly impossible task of covering the entirety of art history. Of course, a semester will only allow broad sweeps with select moments of concentration if we are to get through pre-historic to the present.
In addition to a survey of art history, I periodically pause to define art and its role in society. I start with something like this video to get the conservation started.
Like many, I have run into independent Catholics before, but I had never really grasped their existence. Eyebrows were raised when Mel Gibson established a church in California. I vaguely recall hearing about the ordination of Sinéad O’Connor. I completely overlooked the Santa Muerte reference in Breaking Bad, while my attention was fixed on Tuco’s bizarre cousins.
Independent Catholics are roughly split into 250 geographical areas, or “jurisdictions.” Since the 1890 United States census, where they were labelled “Other Catholics,” the best estimations put them at 1 million in the US. Julie Byrne’s The Other Catholics: Remaking America’s Largest Religion (Columbia University Press, 2016; source: publisher) takes a moment to study these independent Catholics.
Have you ever wanted to know what people really think of you? What are they saying when you leave the room? What words are whispered when they think no one is listening? Well, if you are Paul, here is your chance.
Patrick Gray provides us with an interesting take on an important issue. Paul as a Problem in History and Culture (Baker Academic, 2016; source: publisher) reads like a behind-the-scenes look at everyone who ever said something bad about Paul. The work is a thorough analysis of the who’s who of Paul’s critics.
Last semester I taught a course on the historical and theological development of the church. Beginning with the resurrection, the course mapped out how the church grew out of Pentecost and the activity of the apostles, went through periodic persecutions until Constantine, and progressed into numerous traditions and denominations.
On the first day of class, students were split into groups and tasked with writing out a definition of the church. Many of the definitions addressed the various functions of the church, the universal and the local church, and Christ as the head of the church. As the course went along, these definitions were developed through an exegetical, historical, and theological study of the church. I enjoyed using various primary and secondary readings for the course, but if I were to do it all over again, I would definitely have Gerald Bray’s The Church as a required text.
Johann Georg Hamann
I have never been big on time travel movies. Don’t get me wrong, the thought of time travel is intriguing. But the convoluted nature of some of these films makes it hard to get past the many inconsistencies. I am more than willing to adhere to the film’s understanding of time, but when the storyline breaks its own rules, that’s when I bail ship (now I’m the one being inconsistent, but I did not mind About Time).
Theologians and theoreticians attempts at understanding time is nothing new and will surely continue in the future. One can turn to Augustine’s thoughts on the matter in the Confessions, or more modern discussions of A Theory and B Theory. Into this mix, I would like to throw in Hamann’s reflections on time.
Pentecostal Outpourings Reformed
The Reformed tradition is not the first thing that comes to mind when reading the words Pentecostal Outpourings (Reformation Heritage Books, 2016; source: publisher). When I came across the title I immediately thought, perhaps this is a historical work on the rise of the Pentecostal church. Maybe even a contemporary study of the globalization of Pentecostalism. It was a surprise when I read the subtitle, “Revival and the Reformed Tradition.”
In most Reformed circles, revivals are little discussed and unfortunately experienced even less. This is not universal across all Reformed traditions. Growing up in a Korean-American Presbyterian church in the suburbs of Chicago, revivals were very much real and ongoing. However, there does not exist a widespread Reformed discussion of revival in the current church. It seems that this is the first objective of Pentecostal Outpourings. The authors are reintroducing revival within a Reformed context.
One of the courses I’m teaching this semester is World Religions. The course begins in India, moving to some of the Asian religions, before addressing the Abrahamic faiths. We cover history, theology, and contemporary issues of individual religions. In addition, throughout the semester we regularly return to the question of religious diversity.
How are we to understand seemingly mutually exclusive religious truth claims? Just last week we discussed the controversy at Wheaton College surrounding Larycia Hawkins. It is in this context that George B. Connell’s Kierkegaard and the Paradox of Religious Diversity speaks to.
Augustine is a common source for any discussion of the Trinity. It helps that he wrote a book called On the Trinity. For good or bad, the consensus understands Augustine as a pivotal figure in early Trinitarianism, especially in a post-Nicene context.
The Donatist controversy is not discussed at quite the same level as Augustine and the Trinity, but is a common area of Augustine studies. Geoffrey G. Willis wrote on the issue, and the matter is addressed in any of the standard biographies. What we do not see often is a study that combines the two.
Adam Ployd’s Augustine, Trinity, and the Church (Oxford, 2015; source: publisher) falls in line with works on the relationship between the Trinity and the church. Examples of such studies are Miroslav Volf, After Our Likeness: The Church as the Image of the Trinity and Jürgen Moltmann, The Trinity and the Kingdom. Ployd’s study is not a progression of Volf or Moltmann, for to do so would be anachronistic. Rather, Ployd takes a look at Augustine within his post-Nicene context.
There is no shortage of works addressing the Reformation. Roland H. Bainton’s Here I Stand remains a must read, in addition to other standards such as Diarmaid MacCulloch’s The Reformation, David C. Steinmetz’s Reformers in the Wing, and Michael Reeves’ The Unquenchable Flame. The field is crowded, yet scholars continue to find insightful approaches to Reformation studies (check out Andrew Pettegree’s Brand Luther and my review). David M. Whitford’s latest work on Philipp of Hesse is no exception.
Whitford’s A Reformation Life: The European Reformation through the Eyes of Philipp of Hesse (Praeger, 2015; source: publisher) begins with a conclusion. As Whitford states, wherever he looked he ended up running into Philipp of Hesse. The landgrave of Hesse had his hand in all matters of the Reformation. It was clear that all roads led to Philipp, but the how and why remained unanswered. A Reformation Life explores these routes.
ECH: When and why did you begin writing?
Terry Glaspey: I’ve been interested in writing almost as long as I remember. In grade school I created little 12-page illustrated stories that I sold to classmates for a quarter. And writing papers was the part of high school and college that I enjoyed most. I got started writing books when someone asked me to turn a talk I had given into an article for their magazine. They liked the results, and I wrote several more for them, which eventually became my first book, Children of a Greater God. That was over twenty years ago.
ECH: How did you become involved in the subject matter of 75 Masterpieces?
Terry Glaspey: I’m someone who found his life enriched by the arts—by literature, music, the visual arts, and film. And I have always been interested in the intersection between faith and creativity; by the way that religious commitment can be reflected in various art forms. I appreciate the way that art has a way of giving fresh perspectives to the message of faith.
It is always nice to see a discussion of Johann Georg Hamann. Craig G. Bartholomew’s address is no different. I was leafing through Bartholomew’s latest Introducing Biblical Hermeneutics: A Comprehensive Framework for Hearing God in Scripture, when I was pleasantly surprised to see a short treatment of the “Magus of the North.” People may be familiar with Bartholomew’s The Drama of Scripture: Finding Our Place in the Biblical Story, a text that I have assigned this semester. Bartholomew’s latest is a thorough hermeneutic.
Bartholomew situates his treatment of Hamann in his chapter on the relationship between philosophy and hermeneutics. His task is not one of originality. Rather, Bartholomew seeks to highlight a neglected but significant voice in philosophy and hermeneutics. Thus, Bartholomew includes much information that can be found elsewhere, including John R. Betz’s After Enlightenment: The Post-Secular Vision of J. G. Hamann and my posts.
John Frame, A History of Western Philosophy and Theology
Full disclosure, I am not a philosopher. Far from it. However, the history of philosophy has always been an interest of mine. Whether it was working my way through Frederick Copleston’s history or the intricacies of the Hamann-Kant dialogues, the history of philosophy has been a topic I regularly return to.
John M. Frame’s A History of Western Philosophy and Theology (P & R Publishing , 2015; source: publisher) is a reminder both of my love for the history of philosophy and my inadequacy as a philosopher. Frame provides a wide sweep of the discipline, yet detailed attention to key philosophers and philosophies.
This is all standard fare for a history of philosophy. What distinguishes this history is the author. Frame, known more for his work in theology, offers a uniquely Christian and theological perspective on the history of philosophy.
Once again, I want to commend Terry Glaspey’s balanced and well-thought-out list of 75 Masterpieces Every Christian Should Know (see my review here). The list covers practically all of history and various mediums of art and literature. It is in the latter centuries where I have some concerns and I want to suggest a couple of masterpieces I would have included instead.
Before I get started, there are some works that Glaspey addresses and that I would like to highlight. Jan Van Eck’s Adoration of the Lamb (1432) (75 Masterpieces, chapter 10) is truly a masterpiece. Installed in the Cathedral of Saint Bavo in Ghent, the twenty paneled altarpiece expands to eighteen feet and has a height of twelve feet.
The task of narrowing down centuries’ worth of “masterpieces” in a “best of” list is not one I would like to undertake. Deciding what is a masterpiece is a struggle in and of it itself, let alone having to provide a definitive list. Terry Glaspey’s 75 Masterpieces Every Christian Should Know (Baker, 2015; source: publisher) is a balanced choice of art, literature, music, and film.
Following a chronological ordering, Glaspey begins with the Christian catacombs of Rome (75 Masterpieces, chapter 1). From the second century to the fifth, the underground maze served as a communal burial ground for Christians in times of peace and persecution. Images such as the good shepherd decorated these grounds as a sign of life after death.
Though it may seem like 2017 is far away, the 500th anniversary of Martin Luther’s posting of the 95 Theses is fast approaching. Plans for the celebration are being finalized and publishers are lining up works to be released leading up to the anniversary. Anticipating of all this, Andrew Pettegree’s Brand Luther (Penguin, 2015; source: publisher) starts things off with a biography of Martin Luther.
Though I say biography, Brand Luther does not follow the traditional format of a biography on Luther. As with other biographies such as Bainton’s Here I Stand or Oberman’s Luther: Man Between God and the Devil, Pettegree writes in a chronological order and provides accounts of the key events within Luther’s life. However, Pettegree’s main objective attempts to answer “how, in the very different communication environment of five hundred years ago, a theological spat could become a great public event, embracing churchmen and laypeople over a wide span of the European landmass” (Brand Luther, x).